MCOCA
Mafia Queens of MumbaiMCOCA, the Maharashtra Control of Organised Crime Act, is a stringent law promulgated by the Maharashtra government in 1998, following the abrogation of the Terrorist and Disruptive Activities (Prevention) Act (TADA). The state, lacking a firm legal framework to fight organised crime, formulated this law to fill the void. Its reach soon extended beyond Maharashtra, as the Gujarat and Delhi governments adopted the same law to control criminal gangs in their own territories. In the book's chronicle of Mumbai's underworld, MCOCA emerges as a decisive legal weapon, wielded not only against gangsters themselves but also against the women who supported, financed, and managed their operations, marking a significant shift in how the state prosecuted the infrastructure of organised crime.
Origins and Legal Character
MCOCA was born out of the perceived inadequacy of existing laws to tackle the sophisticated networks of organised crime that had flourished in Mumbai. The abrogation of TADA, a draconian anti-terror law, left a legal vacuum that the state government moved quickly to fill. MCOCA was designed to be exceptionally stringent, granting law enforcement agencies broad powers to prosecute individuals associated with organised crime syndicates. Its provisions allowed for the prosecution not just of those who committed crimes, but also of those who aided, abetted, or financially supported criminal activities. This made it a particularly potent tool against the wives, companions, and business associates of gangsters, who had often operated in the shadows, managing finances and logistics without directly engaging in violence. The law's severity was such that it became a defining feature of the legal landscape in which the book's female subjects operated, often leading to their arrest, detention, and conviction on charges that would have been difficult to sustain under ordinary criminal law.
Application Against Women in the Underworld
The book documents several instances where MCOCA was used against women, revealing a pattern of prosecutorial focus on the support structures of organised crime. Sujata Nikhalje, the wife of the self-proclaimed patriotic don Chhota Rajan, became the only 'don wife' to be slapped with charges under MCOCA for using a business enterprise to legitimise her husband's criminal activities. Her arrest on 14 December 2005, along with three accomplices, on charges of aiding and abetting the activities of an organised crime syndicate run by Chhota Rajan, exemplified the law's reach into the financial realm. Similarly, Shameem Mirza Beg, alias Mrs Paul, Chhota Shakeel's business and love interest, was arrested in March 2002 under MCOCA and chargesheeted three months later. The chargesheet, which included excerpts of her phone conversations with Shakeel, read more like lines from a modern-day Romeo and Juliet, yet the legal consequences were severe. Rubina Siraj Sayyed, a renowned beautician who became an underworld aide, was first picked up by the Mumbai police in 2004 and convicted exactly two years later under MCOCA for conspiracy charges. These cases illustrate how MCOCA was used to criminalise the roles women played in the underworld, from managing finances to conveying messages and coordinating activities.
The Case of Sujata Nikhalje
Sujata Nikhalje's case is perhaps the most detailed example of MCOCA's application against a woman. A decade before her arrest, Tilak Nagar was an obscure lower-middle-class residential locality in suburban Mumbai, dotted with decrepit government quarters. Sujata, with ambitious designs, wanted to change the whole topography of this area and transform it into upmarket real estate for the crème de la crème of the city. Early in the year 2000, she started a construction company with the ill-gotten money of her fugitive husband, despite having no knowledge of the industry. Her company, Khushi Developers Private Ltd, named after her youngest daughter, soon began leading the race in remodelling Tilak Nagar. She employed a powerful team of chartered accountants to handle the finances and prepared a strategy to pull down old buildings and replace them with sprawling malls, high-rises, and office complexes. Throughout, she kept Rajan informed of her meetings via telephone calls, and often involved his men to ensure she had her way, with Rajan's goons terrorising builders through extortion and land-grabbing. The police, who had been tapping her phone lines, learned that her conversations with Rajan often drifted into the acquisition of land and deals. Following a complaint from a builder in Chembur who had been threatened by Rajan's gang, the police closed in on her. Sujata and three accomplices were arrested under MCOCA on 14 December 2005. During the first sixteen days of custody, she refused to drink water or eat anything, a testament to her hardened and obstinate nature. Police investigations revealed that she maintained thirty-seven accounts in various banks, including Standard Chartered, State Bank of India, Sangli Bank, Canara Bank, and the Union Bank of India, all in the names of her three daughters. Foreign exchange worth Rs 13 lakh had come into these accounts from countries like Singapore and Abu Dhabi. The police suspected the money came from extortion payments but were passed off as goodwill donations. Further investigations revealed the involvement of a prominent chartered accountant, Bharat Dhudani, who allegedly handled the financial transactions of Khushi Developers. The police alleged that Sujata had given Rs 2 crore, obtained from Rajan, to Dhudani, who gave it to eight firms to buy shares in her company. The police traced most of Sujata's accounts through documents, including fourteen files found at Dhudani's Bandra office. Her case demonstrated how MCOCA could be used to dismantle the financial networks that sustained organised crime, targeting the women who managed them.
MCOCA in the Context of Other Legal Measures
MCOCA did not operate in a vacuum; it was part of a broader legal arsenal used by the state against the underworld. The book also references the Maintenance of Internal Security Act (MISA), under which Jenabai Daaruwali was jailed, though the charges against her could not be proved. Haji Mastan was detained under MISA for ninety days in 1974, and again during the Emergency in 1977, along with other gangsters like Karim Lala. MISA was a controversial law passed in 1971 during the administration of Prime Minister Indira Gandhi, providing law enforcement agencies with powers of indefinite 'preventive' detention, search, and seizure without warrants. The use of such exceptional laws, from MISA to TADA and then MCOCA, reflects a continuity in the state's approach to combating organised crime, often at the expense of civil liberties. MCOCA, however, was specifically tailored to the post-TADA era, and its application against women like Sujata, Shameem, and Rubina highlighted a new frontier in the legal battle against the underworld: the criminalisation of the domestic and financial spheres that supported gangsters. The book's narratives suggest that these laws, while ostensibly targeting organised crime, also had gendered implications, disproportionately affecting women who were often the invisible pillars of criminal enterprises.
Significance and Legacy
MCOCA's significance in the book extends beyond its legal provisions. It serves as a narrative device that exposes the intricate connections between crime, politics, and finance in Mumbai. The arrests of Sujata, Shameem, and Rubina under MCOCA were not just legal events but also social and political ones, revealing the extent to which women were embedded in the underworld's operations. The law's stringency, and the manner in which it was applied, also raised questions about the state's use of exceptional powers and the potential for abuse. For the women involved, MCOCA often meant prolonged detention, financial ruin, and social stigma. Sujata's case, in particular, showed how the law could be used to freeze assets and dismantle legitimate-looking businesses that were fronts for criminal wealth. The book's portrayal of these women under MCOCA challenges simplistic narratives of female criminals as passive victims or mere 'molls', instead presenting them as active agents who navigated, and sometimes fell foul of, a legal system that was itself a powerful actor in the underworld's ecosystem. MCOCA, therefore, is not just a legal statute but a central character in the stories of these women, shaping their fates and underscoring the high stakes of their involvement in organised crime.


